Highest resolution and best color correction
Titel photo: Bastian Kratzke
Our masterpiece from the APO Lanthar series offers the highest resolution and best color correction of all Voigtland wide-angle lenses and can be described as our most powerful 35mm lens of all time. It will be launched in a version with a Leica M connection as well as a Sony E-mount.
The optical construction consists of 9 groups with 11 lens elements, two of which are double-sided aspherical elements, five with abnormal partial dispersion and floating elements for optimal focusing performance.
An excellent multiple coating and the apochromatic color correction round off the technically complex structure. The 12 aperture blades form a round opening at F2.0, F2.8, F5.6 and F16, which enables a circular and also very balanced bokeh from a point light source,
The objective was a brilliant and in all facets extraordinary imaging performance and this could be achieved without compromise!
The lens supports the transfer of EXIF data, the focus magnifier, automatic lens correction and 5-axis image stabilization (if available). The selective aperture system optionally enables silent aperture setting in video mode.
In the field of wide-angle focal lengths, the Voigtländer 35mm / 1: 2.0 APO-Lanthar aspherical sets a new standard in our range and offers a variety of photographic possibilities for the discerning user. The extraordinary panel construction also allows a high degree of creative freedom and promises a very individual look.
A lens hood is optionally available for the VM version (LH-13), the E-mount version includes a standard lens hood.
|Focal length||10 mm|
|Minimum aperture (F)||22|
|selective aperture control||available|
|Lens construction||13 elements in 10 groups|
|Angle of view||130°|
|Minimum focus||0,3 m|
|Maximum reproduction ratio|
|Maximum diameter||67,4 mm|
|Electrical contact: Exif data transfer||available|
|Manual focus assistant||available|
|Others||Lens hood (non-detachable), Pressure fit cap, Rear cap|
That can be proud of!
These photos were taken with our 35mm / 1:1,4 Nokton classic:
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